V. How (from Lutèce, te amo)

to square the barricades, the FFI, the jimmying of rocks

     from boulevards –

those appareils of Baron H’s anti-communista vistas –

     with Papon

or Pétain; the sandbags, the barbed-wire, the rifle cocked

 

and gripped, incongruous – a hand-me-down four-quarters

     violin

resting on the shoulder of some prodigious tot –

     and the trains

trundling out of Drancy, the gendarmes waving au revoirs.

 

And then, come to think of it, the only part of the plot

     of Baldwin’s

Another Country I remember – Yves, I think, remarking

     that all

Americans are racists, exhibiting his Gallic amour-propre

 

and here, on the Boulevard, this black woman pushing

     white tots.

How indeed. The bakers fill the street with un parfum

     of buttered wheat;

a pregnant beggar slumps near-by, slowly starving.

 

Downriver, Les raboteurs awaits my rapt attention.


Unpublished poem from Lutèce, te amo, © Ahren Warner 2012, used by permission of the author

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33Hello London

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34CAPITONYMS etc.

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36Ego

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36Mille platitudes

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37[L'avocat, 1866] (from Metousiosis)

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38[Sitzender männlicher Akt, 1910] (from Metousiosis)

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39[Le Boeuf écorché, 1924] (from Metousiosis)

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43[Nice 'n Easy, 1999] (from Metousiosis)

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44XI Between (from Lutèce, te amo)

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