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These poems come from a special recording for the Poetry Archive:

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Six, Rivelin Grapheme 1985
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Selected Poems, Carcanet 1987
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Dad, the Donkey's on Fire, Carcanet 1994
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I Found This Shirt, Carcanet 1998
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It's Just Like Watching Brazil: A Premiership Season in Verse, Yorkshire Art Circus 1999
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Perfect Catch: Poems, Collaborations and Scripts, Carcanet 2000
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The Very Best of Ian McMillan, Macmillan Children's Books 2001
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The Invisible Villain, Macmillan Children's Books 2002
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Ian McMillan Reading from his Poems, The Poetry Archive 2005
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Talking Myself Home, John Murray 2008
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Talking Myself Home (Audiobook), Hachette Audio 2008
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Ian McMillan (b. 1956) is one of the UK's best known contemporary poets. Aside from many books (for adults and children), sometimes including prose and plays, he has also made appearances on television, on all the national BBC radio channels (through which he was recently listed as the 22nd most powerful person in radio), in diverse newspapers and magazines, and as a poet in residence in a wide range of places including Barnsley FC and the Humberside Police. He also maintains a breathtaking schedule of appearances in schools, prisons and arts festivals.
As seasoned a performer as this implies, McMillan fills this reading with warmth and charm, and knows exactly how much information to give in his introductions so the poems are illuminated and not washed out. His public appearances are also used as material for some of the poems here, whether it's the amused biographical note of 'The Soft White Pillowcase Boys' or the reductio ad absurdum of poetic prejudice in 'For Me'.
Still resident in South Yorkshire, McMillan is also proud of his northern heritage, as well as refusing to let go of what the Radio Times called his "fruity Barnsley accent". He cites a "great line of Ted Hughes's where he says 'Calderdale's my tuning fork'; well, Darfield's my tuning fork." Poems such as 'The Meaning of Life' - subtitled "A Yorkshire Dialect Rhapsody" - show his ear for the natural patterns of northern speech and, at the same time, a refusal to be precious about it. He also gives witness to the decline of the mining industry in this area, avoiding the pitfalls of artless diatribe and appropriation of pain.
He is one of the few poets able to remain completely accessible while exploring techniques such as surrealism and postmodernism: the latter can be seen in the collision of genres and irreverent allusions in 'Ted Hughes is Elvis Presley', and the former in the non-sequiturs of 'The Meaning of Life' and the cutup practice of 'The Texas Swing Boys' Dadaist Manifesto'. This same ability to embrace his audience and literature is to be found in McMillan's devotion of his Radio 3 show, The Verb, to "the magic of discovery, the excitement of living language, stories, songs, the continuum of audience and writer and reader."
His recording was made on 12 January 2005 at the Audio Workshop, London and was produced by Richard Carrington.