© Image by Ernestine Ruben

Anne Stevenson

(b. 1933)

"She is wise without portentousness, her technique faultless and her imagination fiery, political and fresh" - Carol Rumens, The Independent.

Share this page

Share this page Bookmark and Share


These poems come from a special recording for the Poetry Archive:

! Missing Player !
To listen to the Archive's recordings, software called Adobe Flash Player (version 10) needs to be installed on your computer and you need to enable JavaScript in your browser settings.

Adobe Flash Player can be downloaded, free of charge, here.


Select bibliography

  • Correspondences: A Family History in Letters, Oxford University Press 1974
  • Travelling Behind Glass: Selected Poems, 1963-73, Oxford University Press 1974 - out of print
  • Enough of Green, Oxford University Press 1977 - out of print
  • Minute by Glass Minute, Oxford University Press 1982 - out of print
  • The Fiction Makers, Oxford University Press 1985 - out of print
  • Selected Poems, 1956-86, Oxford University Press 1987 - out of print
  • Black Grate Poems, Redcliffe Press 1987 - out of print
  • Bitter Fame: A Life of Sylvia Plath, Penguin 1990
  • The Other House, Oxford University Press 1990
  • Four and a Half Dancing Men, Oxford University Press 1993 - out of print
  • Between the Iceberg and the Ship: Selected Essays, University of Michigan Press 1998
  • Five Looks at Elizabeth Bishop, Bellew/Agenda Editions 1998
  • The Collected Poems, 1955-1995, Bloodaxe 2000
  • Granny Scarecrow, Bloodaxe 2000
  • Poetry Quartets 6 (Anne Stevenson, Michael Donaghy, Moniza Alvi, George Szirtes), Bloodaxe / British Council 2000
  • A Report from the Border, Bloodaxe 2002
  • Hearing with my Fingers, Thumbscrew Press 2002
  • Poems 1955-2005, Bloodaxe 2005
  • Anne Stevenson Reading from her Poems, The Poetry Archive 2005
  • Stone Milk, Bloodaxe Books 2007
  • In Person 30 Poets, Edited by Neil Astley / Films by Pamela Robertson-Pearce, Bloodaxe Books 2008
  • Selected Poems, Library of America 2008
Anne Stevenson, inaugural winner of the Northern Rock Writers Award in 2002, was born in England of American parents in 1933 and educated in Ann Arbor, Michigan, where her father was professor of philosophy at the University of Michigan. After graduating with honours from Michigan, she moved to Great Britain where, claiming citizenship, she has lived for most of her life. From 1974 through 1996 OUP published eight collections of her poems. Since 2000, Bloodaxe Books has published three more, including a new and substantial Poems 1955-2005. Anne Stevenson is also the author of Bitter Fame, A Life of Sylvia Plath, and of two critical studies of Elizabeth Bishop.

If Stevenson's early poetry sometimes shares a technique with Plath, addressing subjects both personally and ambivalently, in recent years she has developed an ear for lyrical expression while turning her attention to the paradoxical nature of experience and to a delight in the music of language. The distinct musicality of ballads such as 'Willow Song' and 'Innocence and Experience' may be the result of a debilitating deafness which has driven her, she says, to 'play' in verse the music she can no longer hear in reality. She is also capable of writing dramatically, in free-verse forms, though here, too, she is always conscious of the rise and fall of her cadences and of what she calls 'the tune' of every poem.

She splits her reading for the Poetry Archive into three parts, basing these divisions on a line from 'Poem for a Daughter': "a time, a tribe, a war." Beginning with family poems (a tribe), she moves into a second section in which a mental struggle for existence is in evidence (a war), ending with a section on time and loss - always a preoccupation of this poet, as in 'Arioso Dolente' and 'The Fiction-Makers'.

As she reads and introduces her work, Stevenson gives the impression of shining a bright and precise light on each idea in turn, speaking so as to reflect elements of Ann Arbor, Durham and North Wales, all places that come to life in her poems. She can shade the tone of her voice with mischief, as in 'Going Deaf', or with sorrow, as in 'A Marriage', but the performance always serves the poem, always works toward creating what she describes in 'Making Poetry' as "a wordlife running from mind to mind / through the washed rooms of the simple senses."

Her recording was made on 16 August 2002 at The Audio Workshop, London and was produced by Richard Carrington.

Anne Stevenson's Favourite Poetry Sayings:

"All art aspires to the condition of music" - Walter Pater

"True poetry should be [in some degree] abstract" - Wallace Stevens

"End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)" - Anne Stevenson

"A poem is never finished, only abandoned." - W. H. Auden


2002 Northern Rock Foundation Writer Award

Search for a poem or a poet:

My Archive

Create lists of your favourite poems and poets and share them with friends.

Browse all poets by name

View all poets

Browse all poems by title

View all poems

Glossary of poetic terms

View full glossary
Historic recordings Hear famous voices from poetry's past.

View all historic recordings
Support The Poetry Archive The Poetry Archive depends on donations from public bodies and private individuals. Find out how you can contribute to the work of the Archive.