© Image by Elzbieta Lempp

Ciaran Carson

(b. 1948)

"What is / My name? Where am I coming from? Where am I going? A fusillade of question marks." - 'Belfast Confetti', Ciaran Carson

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These poems come from a special recording for the Poetry Archive:

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  • Kilkenny Arts Festival
    Introduced by Colm Toibin, Ciaran Carson reads to an audience in the Parade Tower, as part of the Kilkenny Arts Festival, on August 11th 2010 .

Select bibliography

  • The New Estate , Blackstaff Press 1976 - out of print
  • The Pocket Guide to Irish Traditional Music (prose), Appletree Press 1986
  • The Irish for No , Gallery Press and Wake Forest University Press 1987
  • The New Estate and Other Poems, Gallery Press 1988
  • Belfast Confetti, Gallery Press, Bloodaxe Books and Wake Forest University Press 1989
  • First Language: Poems, Gallery Books and Wake Forest University Press 1993
  • Opera Et Cetera , Gallery Press, Bloodaxe, and Wake Forest University Press 1996
  • Last Night's Fun (prose), Johnathan Cape and Farrar, Straus & Giroux 1997
  • The Star Factory (prose), Granta and Arcade 1997
  • The Twelfth of Never, Gallery Press, Wake Forest University Press and Picador 1998
  • The Alexandrine Plan (Baudelaire, Rimbaud, Mallarm√©) (translation), Gallery Press and Wake Forest University Press 1998
  • The Ballad of HMS Belfast, Gallery Press and Picador 1999
  • Fishing for Amber (prose), Granta 1999
  • Shamrock Tea (prose), Granta 2001
  • The Inferno of Dante Alighieri (translation), Granta Books 2002
  • Breaking News , Gallery Press and Wake Forest University Press
  • The Midnight Court (translation), Gallery Press 2005
  • Ciaran Carson Reading from his poems, The Poetry Archive 2005
  • The Tain (translator), Penguin 2007
  • For All We Know, The Gallery Press 2008
  • Collected Poems, Gallery Press 2008
  • On the Night Watch, Gallery 2009
  • The Pen Friend, Blackstaff Books 2009
  • Until Before After, Gallery 2010
Ciaran Carson (b. 1948) is the author of nine books of poetry and four prose works, and the winner of several awards including the Irish Times Irish Literature Prize, the T. S. Eliot Prize and the Forward Prize for Best Poetry Collection for Breaking News in 2003. His translation of Dante's Inferno won the Oxford Weidenfeld Translation Prize, and he is an honorary member of the Irish Translators' and Interpreters' Association. He held positions in the Traditional Music and Literature departments of the Arts Council of Northern Ireland between 1975 to 1998, and is currently Centre Director of the Seamus Heaney Centre at Queen's University, Belfast.

When Carson says "I write in English, but the ghost of Irish hovers behind it; and English itself is full of ghostly presences," ('The Other') he suggests two influences on his poetry: his bilingual upbringing, and an unusual alertness to language. The poetry is at home in an Irish tradition, able to allude as easily to Louis MacNeice (in 'Snow') as to Pangur Ban (in 'Catmint Tea'). Language itself is also clearly a fascination - he has twice written a sequence through the alphabet, first in the usual letters, then in the police radio alphabet. But he also shows language being used to enforce, to spy, and - broken into its almost meaningless constituent parts - to commit physical violence, when the bomb in 'Belfast Confetti' is loaded with not only ironmongery but "a fount of broken type." Violence, or its effects, often makes an appearance in Carson's poetry, whether this is found in historical warfare or the more recent conflicts of Northern Ireland. Indeed, Carson's use of the street names of Belfast that allude to these battles - "Balaclava, Raglan, Inkerman, Odessa Street" - underlines the violence of the Troubles. But there is still play here, as in the perspectiveless litany of 'Fear'.

The poems on this CD represent both the long, fluent line characteristic of Carson's earlier work, and the spikier delivery of his more recent poetry's brittle, briefer form; his reading puts across the natural flow of the former, or the weight of each word in the latter, in composed Belfast tones. It's a voice that emphasises, without histrionics, the reality of the content.

His recording was made on 29 April 2003 at The Audio Workshop, London and was produced by Richard Carrington.


1978 Eric Gregory Award

1987 Alice Hunt Bartlett Award The Irish for No

1990 Irish Times Irish Literature Prize for Poetry Belfast Confetti

1993 T. S. Eliot Prize First Language: Poems

2003 Cholmondeley Award

2003 Forward Poetry Prize (Best Collection) Breaking News

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