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These poems come from a special recording for the Poetry Archive:
26 May 2013 7:30 PM
Sylvia Plath's Ariel at the Southbank. Sylvia Plath died 50 years ago leaving a black binder of poems that was to become her final, posthumously published collection, Ariel.
Now 40 leading female poets and performers read one poem each from the restored edition of the final unedited manuscript in an evening introduced by Plath's daughter, Frieda Hughes. Readers include: Emily Berry, Lily Bevan, Samantha Bond, Emily Bruni, Anna Chancellor, Gillian Clarke, Julia Copus, Imtiaz Dharker, Ruth Fainlight, Kate Fahy, Vicki Feaver, Siobhan Redmond, Miranda Richardson, Jo Shapcott, Jean Sprackland, Juliet Stevenson, Harriet Walter, and Susan Wooldridge, amongst others.
'In these poems… Sylvia Plath becomes herself, becomes something imaginary, newly, wildly and subtly created.' (Robert Lowell). Tickets £25/£20/£15/£10. For more information or to book visit www.southbankcentre.co.uk/whatson or call 020 7960 4200.
Royal Festival Hall, Southbank Centre, Belvedere Road, London SE1 8XX
Close Relatives, London, Secker & Warburg, 1981 - out of print
The Handless Maiden, London, Jonathan Cape, 1994
Penguin Modern Poets 2 (contributor with Carol Ann Duffy and Eavan Boland), London, Penguin, 1995
Girl in Red and Other Poems, Scottish Book Trust, 2003
Vicki Feaver Reading from her poems, The Poetry Archive, 2005
The Book of Blood, Jonathan Cape, 2006
Vicki Feaver (b. 1943) grew up in Nottingham "in a house of quarrelling women", an emotional inheritance which finds later expression in her poetry. She studied Music at Durham University and English University College, London and worked as a lecturer in English and Creative Writing at University College, Chichester, becoming Emeritus Professor. Her collections have been highly praised, the second, The Handless Maiden, including both the Arvon International Poetry Competition finalist 'Lily Pond', and 'Judith', winner of the Forward Poetry Prize for Best Single Poem. The same collection was also given a Heinemann Prize and shortlisted for the Forward Prize and she has received a Hawthornden Fellowship and a Cholmondeley Award. She currently lives in South Lanarkshire.
It's perhaps significant that both of her major prize-winning poems are narrated by murderous women. A central concern of her work is female creativity and its repression, how, beneath her learnt veneer of niceness, a woman can be seething with passionate hatred or love. The poems negotiate brilliantly between the two realities in a manner Matthew Sweeney has described as "domestic gothic". Feaver includes the stuff of everyday life in her poems - jam-making, gym classes, ironing - but grafts them onto the transgressive power of fairy-tale and myth. These stories of savagery and enchantment license Feaver to explore the desires women aren't normally allowed to express, as in 'Marigolds' in which the hot orange flowers "remind us/we are killers, can tear the heads/off men's shoulders." Not all the poems set the sexes at each other's throats however - there are also celebrations of tenderness and erotic love as in 'Hemingway's Hat' where the opposing principles of the feminine and masculine achieve a rare moment of unity.
Feaver has described writing as a "kind of gutting" and certainly the title of her latest collection, The Book of Blood, would suggest she remains red in tooth and claw. However, her poetry is also highly sensual and inviting, with a tactile quality her Archive reading brings to the fore. The context she provides for many of the poems is also fascinating, whilst making you admire all the more the transformative power of her art.
These poems come from a special recording made for The Poetry Archive on April 11th 2005 at The Audio Workshop, London. Producer: Richard Carrington.
Vicki Feaver's Favourite Poetry Sayings:
"Poetry never has any kindness at all. "
- Stevie Smith
"A poem is a construction of language that uses, tries to use everything that language can do to conjure to summon up something thats not quite knowable in any other way. "
- Adrienne Rich
"A great Poet must have ... the ear of a wild Arab listening in the silent Desert; the eye of a North American Indian tracing the footsteps of an Enemy upon the leaves that strew the forest; the Touch of a Blind Man feeling the face of a darling Child. "
- Samuel Taylor Coleridge
"Write about what burns in you, what you can't forget. "
- Muriel Rukeyser
"The art in which one being calls out to, whispers to, sings to, one other being, in the most intimate way. Our species needs it, perhaps, to survive "
- Sharon Olds
1992 Arvon International Poetry Competition (Finalist), 'Lily Pond'
1993 Forward Poetry Prize (Best Single Poem - winner), 'Judith'
1993 Hawthornden Fellowship
1994 Forward Poetry Prize (Best Collection - shortlist), The Handless Maiden
1994 Heinemann Award, The Handless Maiden
1998 National Poetry Competition (2nd Prize), 'Bats'
1999 Cholmondeley Award
1999 Arts Council Writer's Award
2006 Forward Poetry Prize (Best Collection - shortlist), The Book of Blood
2006 Costa Book Award for Poetry (shortlist), The Book of Blood