© Image by John Hedgecoe

John Betjeman

(1906 - 1984)

"Now if the harvest is over / And the world cold / Give me the bonus of laughter / As I lose hold." - 'A Nip in the Air', John Betjeman

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Recordings

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Extras

  • BBC Poetry Season
    In an interview from 1961, John Betjeman talks to the Beat poet Royston Ellis about the inspiration for A Subaltern's Love Song, writing for a living and his love of the female form.
  • John Betjeman Young People's Poetry Competition
    Each child is invited to send in (by post or online) one poem on the theme of 'place'. Winners of the poetry competition are invited to read their poems aloud at a prize giving held in October on the concourse of St Pancras station, next to the bronze statue of John Betjeman The first prize is £1000. The competition closes on 31st July.
  • Church Going with Betjeman and Larkin
    Philip Larkin and John Betjeman visit a cemetery in Hull, where they discuss the shadow of approaching death, the concept of which, for Larkin in particular, underlies most of his work.
  • Down Cemetery Road with Philip Larkin and John Betjeman part 1
    Philip Larkin talks to John Betjeman in 1964 about his life, his poetry and the city of Hull, where he lived and worked as university librarian. With readings from his work, the poet explores the life of a rapidly modernising Hull.
  • Down Cemetery Road with Philip Larkin and John Betjeman part 2
    Philip Larkin talks to John Betjeman in 1964 about his life, his poetry and the city of Hull where he lived and worked as university librarian. Larkin's 'welfare sub-poetry' is almost cynical in its observations of daily life – without a hint of melodrama or romanticism, Larkin freely admits to his misery and his consciousness of approaching death.
  • Down Cemetery Road with Philip Larkin and John Betjeman part 3
    Philip Larkin talks to John Betjeman in 1964 about his life, his poetry and the city of Hull where he lived and worked as university librarian. Larkin explains why he enjoys living a life of solitude in Hull.

Select bibliography

  • Early Poems 1986
  • Collected Poems, London, John Murray, 2006
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  • The Best of Betjeman, John Murray, 2006
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  • Sweet Songs of Zion Scripts of BBC Radio Talks. Hodder & Stoughton 2007
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  • Summoned by Bells Betjeman's verse autobiography. John Murray, 2007
John Betjeman (1906-1984) achieved huge success during his lifetime and continues to retain his 'National Treasure' status more than twenty years after his death. His gift for comic writing, his dazzling technical abilities and his combination of eccentricity and Englishness are all key ingredients in his enduring popularity. He was the son of a manufacturer of luxurious household goods, a background that provided him with a comfortable childhood but also left him socially insecure, conscious of his family's status as 'trade' in an era of more rigid social class distinctions. Sensitive and bullied at school, Betjeman only came into his own at Oxford where he threw himself into a party-going lifestyle. He perhaps enjoyed himself too much and was sent down for failing his exams. However, Oxford contacts helped him secure a post on The Architectural Review which he left in 1933 to become a freelance journalist. During the war he worked for various government departments and then continued to make his living from journalism and broadcasting.

Betjeman's wide appeal and his conservatism in form and theme have tended to obscure his achievements as a serious poet, but he was rated highly by his contemporaries and no less a figure than W. H. Auden edited a choice of Betjeman's verse in 1947. Some of his best qualities are presented in these two recordings: 'Youth and Age on Beaulieu River' demonstrates Betjeman's brilliance at describing human figures in a landscape and deals with one of his abiding preoccupations, mortality, whilst 'A Subaltern's Love Song' is Betjeman at his rollicking best, amorous and satirical as he pokes fun at himself and the upper middle class world he was from whilst celebrating its straightforward pleasures. A virtuoso performer with a keen sense of how to project an image, this recording captures him at his best, effortlessly charming his audience with his bravura renditions.

This recording was made on 1 December 1967 at the Poetry Society in association with the Talking Tape Co. and first appeared as 'Sir John Betjeman Reading a Selection of His Own Poems'.

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