© Image by Caroline Forbes

Ruth Fainlight

(b. 1931)

"I am a poet who is a woman, not a woman poet." - Ruth Fainlight

Share this page

Share this page Bookmark and Share


These poems come from a special recording for the Poetry Archive:

! Missing Player !
To listen to the Archive's recordings, software called Adobe Flash Player (version 10) needs to be installed on your computer and you need to enable JavaScript in your browser settings.

Adobe Flash Player can be downloaded, free of charge, here.

Select bibliography

  • Cages, Macmillan, 1966
  • To See the Matter Clearly, Macmillan, 1968
  • All Citizens Are Soldiers (adaptation with Alan Sillitoe of Fuente Ovejuna/Lope de Vega), Macmillan, 1969
  • Daylife and Nightlife: Stories, Andr√© Deutsch, 1971
  • Poems (with Ted Hughes and Alan Sillitoe), Rainbow Press, 1971
  • The Region's Violence, Hutchinson, 1973
  • Twenty-One Poems, Turret Books, 1973
  • Another Full Moon, Hutchinson, 1976
  • Two Fire Poems, Sceptre, 1977
  • The Function of Tears, Sceptre, 1979
  • Sibyls and Others, Hutchinson, 1980 and Poetry Book Society Ltd, 1997
  • Climates, Bloodaxe, 1983
  • Fifteen to Infinity, Hutchinson, 1983
  • Navigations / Sophia de Mello Breyner Andresen (translator), Casa da Moeda (Lisbon), 1983
  • The Bloodaxe Book of Contemporary Women Poets ed. Jeni Couzyn (contributor), Newcastle-upon-Tyne, Bloodaxe Books, 1985
  • Marine Rose: Selected Poems/Sophia de Mello Breyner Andresen, (translator), Black Swan Books (US), 1986
  • Selected Poems, Hutchinson, 1987
  • The Knot, Hutchinson, 1990
  • This Time of Year, Sinclair-Stevenson, 1993
  • Dr Clock's Last Case and Other Stories, Virago, 1994
  • Sugar-Paper Blue, Bloodaxe, 1997
  • Burning Wire, Bloodaxe, 2002
  • Moon Wheels, Bloodaxe, 2006
  • Ruth Fainlight Reading from her Poems, The Poetry Archive 2008
  • New and Collected Poems Bloodaxe 2010
Ruth Fainlight (b. New York, 1931) is an award-winning poet and translator, whose collections, starting with Cages in 1966, have spanned five decades. Her 1976 collection Another Full Moon was described by Peter Porter as having "the steadiness and clarity of the moon itself", and A S Byatt has said of her poems that they "give us truly new visions of usual and mysterious events". Fainlight has lived in England since the age of 15, achieving success in fiction, translation and opera libretti as well as poetry. She became a Fellow of the Royal Society of Literature in 2008.

On the process of writing a poem, Fainlight has said: "Like every other living organism, its development is a unique combination of unassailable laws and the entirely unexpected". One hallmark of her work is the special attention she pays to the apparently ordinary stuff of life, finding strangeness and even mysticism beneath familiar surfaces. Domestic life often contains and reveals the most significant truths. 'Handbag', for instance, with its intimate textures and smells, conjures an entire world, moving in just twelve lines from the smallness of the everyday objects carried around by the mother to a formidable list of human experiences : "womanliness, / and love, and anguish, and war".

Fainlight often uses keen physical memories as a way of creating surprise and coherence. In her poem 'Blankets', for example, the "old blue blankets" are so loaded with recollections of childhood nightmares and illness, they are not so much comforting as "potent and dangerous". Ageing and loss are more directly confronted in 'Friends' Photos', which mourns the "lost glamour" of youth. While many of the poems are intensely autobiographical, others take their inspiration from elsewhere: the real and imagined lives of others (such as the Russian poet Anna Akhmatova), and religious and mythical figures, including the Sibyls. 'Elegant Sibyl' is one of dozens of poems Fainlight has written about these ambiguous females with their prophetic gifts.

Ruth Fainlight and Sylvia Plath were friends in the years shortly before Plath's death, and it is possible to make connections, both thematic and stylistic, between the two. Their reading styles, however, are quite different. Fainlight's voice is full of warmth and quiet intensity; her skilful pacing and punctuation makes this a beautifully clear and rewarding experience for the listener.

This recording was made on November 12th 2007 at the Audio Workshop, London and was produced by Richard Carrington.


1994 Cholmondeley Award for Poetry

2008 Fellow of Royal Society of Literature

Search for a poem or a poet:

My Archive

Create lists of your favourite poems and poets and share them with friends.

Browse all poets by name

View all poets

Browse all poems by title

View all poems

Glossary of poetic terms

View full glossary
Historic recordings Hear famous voices from poetry's past.

View all historic recordings
Support The Poetry Archive The Poetry Archive depends on donations from public bodies and private individuals. Find out how you can contribute to the work of the Archive.