Tony Harrison's success stems from the fact that he is a classicist from the working class; a scholar seeking a mass audience. His most controversial narrative poem 'v', prompted by vandals desecrating his parents' gravestones during the miner's strike, achieved front page headlines, was broadcast on Channel 4 in 1987 and won a Royal Television Society Award. Since then, he has continued with his quest to make poetry a public art through the mediums of television and film. Among his film/poems, 'The Shadow of Hiroshima' (1995) was screened on Channel 4, the published text won the Heinemann Award and 'Black Daisies' won the Prix Italia.
In 1995, he was commissioned by The Guardian to visit Bosnia and write poems about the war. Although "doubtful, in these dark days what poems can do" ('Initial Illumination'), Harrison once again gives a voice to the inarticulate though poetry, in what he describes as the most ceremonial form of speech. 'A Cold Coming' speaks up for the burned corpse of an Iraqi soldier in metrical rhyming couplets - a form that seems to keep hold of sense in such troubled times. 1n 2007 he was awarded the Wilfred Owen poetry award.
Hearing Tony Harrison's own voice on this recording, the cadences and rhythms, his poems come alive in the performing of them - bringing them out from the silence of the page. He describes using meter as "like being on a trapeze but having a wire to catch you if you fall", and it feels here as if the listener is being taken on such a journey.
This recording was made on the 19th March 2007 at the Audio Workshop, London and was produced by Richard Carrington.