Billy Collins prefers the term "hospitable" to "accessible" for his poetry and the experience of reading his work is indeed akin to being invited into the home of a cordial and considerate host. Collins frequently addresses the reader directly, thereby establishing what he has described as a "temporary companionship". His poems characteristically open with a specific domestic context which creates intimacy, but the initial premise, that "little common ground", develops into something much stranger by the close: as Collins has said his poems might unfold logically but "the progress is usually toward something that is beyond my sense of logic." The journey is often by way of humour; few poets are as frequently hilarious as Collins, but this is entirely compatible with depth and his poetry is not afraid to explore our most serious preoccupations.
Laughter is a communal experience and that may partially explain Collins' huge popularity as a reader of his own work. It's appropriate therefore that his Archive-featured recording is of a live performance from his hometown of New York. Nowhere is the leisurely, inclusive charm of his style more evident than in the closing poem 'Nightclub': "We are all so foolish...we have become beautiful without even knowing it."
His recording (Billy Collins Live: A Performance at the Peter Norton Symphony Space, Random House, USA, 2005) was made on 20 April 2005 in New York and was produced by Jacob Bronstein. Billy Collins Live is available from www.randomhouse.com