The critic, Helen Vendler, has described Simic as a "lover of food who has been instructed in starvation," hinting at the pleasures and privations which inform his work. As one of the "Bombed and fleeing humanity" ('Cameo Appearance') Simic was instilled from an early age with a deep distrust of absolutist thought. In defiance of ideology his poems brim with irreverence and scepticism, revelling in the "Juxtaposition of unlikely things...where one is bound to find an angel next to a pig." A serious surrealist, Simic draws us into a world in which a simple object like a fork can be transformed into nightmare. Unsettling encounters take place with the mad and the marginalised, often against a looming backdrop of darkness. Recurrent images - blood, flies, waiters, angels - hint at symbolism but without ever yielding one single interpretation. This uncertainty is at the heart of his vision which explores a universe of chance, "the world's raffle" ('Shelley'), in which either everything is planned...or nothing is.
Simic reads in a voice redolent of the history that haunts his poetry, an accent equal parts Serbian and New York twang. It embodies the rich tensions in his work, rooted both in the folklore traditions of Eastern Europe, yet at home amongst the wise-cracking rhythms of his adopted city.
His recording was made for The Poetry Archive on 19 November 2003 in New York City and was produced by Jeffrey Wertz.