! Missing Player !
To listen to the Archive's recordings, software called Adobe Flash Player (version 10) needs to be installed on your computer and you need to enable JavaScript in your browser settings.

Adobe Flash Player can be downloaded, free of charge, here.

We're sorry but, for copyright reasons, you cannot print poem texts from this site.
Full track listing for the special recording made for the Poetry Archive

Share this page

Share this page Bookmark and Share
About the Poet Paul Farley (b.1965) began winning awards with Poetry Review's Geoffrey Dearmer Prize, took the Forward Prize for Best First Collection with The Boy from the Chemist is Here to See You, and won the Whitbread Poetry Prize for his second, The Ice Age, which was also a Poetry Book Society Choice. He has been a teacher of creative writing, Poet in Residence at Dove Cottage, Wordsworth's home, and was chosen as a Next Generation Poet in 2004.

He has described poetry as "a long word which can be stretched". The sense of humour is easily seen in his work, and often evident in his wry introductions, as recorded here; the attention to the almost-physical sense of a word comes out in his strong use of rhyme and form. In addition to the powerful leavetaking of the everyday that builds in 'A Minute's Silence', the poem gains from being shaped in an elegiac metre familiar since Thomas Gray's classic, which Farley, rightly, draws attention to. It is possible that his formal interest is a kind of attention to materials, as he has also studied at the Chelsea School of Art, and - completing a satisfying circle - has been an art reviewer for Poetry Review.

His reading style skilfully allows these formal features to resonate, without distracting from the content, and does so in a voice that still acknowledges his native Liverpool. Parts of his home city - Speke Airport, bus termini, chip shops - figure in the poems, but mingle easily with Papal visits, dentistry and students suffering from scurvy. In 'Treacle', he takes a subject as grounded, as real, as a tin of treacle, and brings us through numinous details to both a sense of our place in history, and of stickiness. These are poems that try "to get around the back of these Big Safe Themes, to creep up on them", and the mundane nature of phone books and railway tunnels is a surprising and successful point from which to start that process.

His recording was made on 25 January 2001 at The Audio Workshop, London and was produced by Richard Carrington.
Guided Tours This poem is part of the guided tour given by:
Which books contain this poem?
  • The Boy From The Chemist is Here to See You
    Buy
Search for a poem or a poet:

My Archive

Create lists of your favourite poems and poets and share them with friends.

Browse all poets by name

View all poets

Browse all poems by title

View all poems

Glossary of poetic terms

View full glossary
Support The Poetry Archive The Poetry Archive depends on donations from public bodies and private individuals. Find out how you can contribute to the work of the Archive.