His background is fascinating, including serving with the Army in the Middle East and the Normandy Landings. He is a Second World War war poet, the experience of which is clear in 'Walking Wounded' in its ability to look closely, without false pity or false glory, at victims of "last night's lead', and which lends credence to his poems of the Great War, in which his father fought. More uncommon for a poet is his career as a boxer, winning championship titles at both school and university, and working in a fairground boxing-booth; this also appears in his poetry, such as in 'The Loving Game', where love, he insists, hurts more. Love, requited and not, or lost, or familial, is another theme that runs through his work. The kinds are often bound together, as in 'Growing Pains', which binds the strength of the father's love for his son with the son's unrequited love for a girl at school, and shows that it cannot do anything to ease the pain save empathise. (Scannell quotes, approvingly, Housman saying "the business of poetry is to harmonise the sadness of the universe".)
Herbert Lomas describes Scannell's method as "life's little and big ironies in polished stanzas and complicated verse-forms", which is true of many of the poems in this recording. But Scannell also uses fine blank verse and invented forms, and, in his introduction to a villanelle, talks helpfully about the form in use. Other introductions discuss the inspirations, obscurities or insights to the poems. His reading voice matches the paradoxes of his poems, being gravelly and mellow at the same time, but always welcoming the listener into the experience of the poem.
Vernon Scannell died on November 17th, 2007, aged 85. His recording was made for The Poetry Archive on 21 May 2001 at his home in Yorkshire and was produced by Richard Carrington.