As seasoned a performer as this implies, McMillan fills this reading with warmth and charm, and knows exactly how much information to give in his introductions so the poems are illuminated and not washed out. His public appearances are also used as material for some of the poems here, whether it's the amused biographical note of 'The Soft White Pillowcase Boys' or the reductio ad absurdum of poetic prejudice in 'For Me'.
Still resident in South Yorkshire, McMillan is also proud of his northern heritage, as well as refusing to let go of what the Radio Times called his "fruity Barnsley accent". He cites a "great line of Ted Hughes's where he says 'Calderdale's my tuning fork'; well, Darfield's my tuning fork." Poems such as 'The Meaning of Life' - subtitled "A Yorkshire Dialect Rhapsody" - show his ear for the natural patterns of northern speech and, at the same time, a refusal to be precious about it. He also gives witness to the decline of the mining industry in this area, avoiding the pitfalls of artless diatribe and appropriation of pain.
He is one of the few poets able to remain completely accessible while exploring techniques such as surrealism and postmodernism: the latter can be seen in the collision of genres and irreverent allusions in 'Ted Hughes is Elvis Presley', and the former in the non-sequiturs of 'The Meaning of Life' and the cutup practice of 'The Texas Swing Boys' Dadaist Manifesto'. This same ability to embrace his audience and literature is to be found in McMillan's devotion of his Radio 3 show, The Verb, to "the magic of discovery, the excitement of living language, stories, songs, the continuum of audience and writer and reader."
His recording was made on 12 January 2005 at the Audio Workshop, London and was produced by Richard Carrington.