Of this earlier work featured in her Archive recording a reviewer wrote: "She can delineate surfaces like a sculptor - exact, precise, sharply definite - yet with a startling undertow, a pull of unease which lies just beneath the texture like an artery beneath the skin" (Joan Forman, Eastern Daily Press) and another: "She has a flair for haunting images which she builds up into canvases of considerable power." These qualities are to the fore in her online poems, such as the meditative 'Rose in the Afternoon' or the uncompromising 'Untitled' with its appalled concentration on cruelty. Other tones are also present though, in the lyric joy of 'The sun has burst the sky' or the wisely satirical 'Cutting off one's ears for someone else is wrong', reflecting Joseph's abiding interest in using in her writing the wide range of register of spoken English.
Her reading style emphasises the many voices of her work - melancholy, anguished, humorous. Her own tones bring her different narrators to life so that the listener feels directly engaged in poems "strange in what they say but plain in the way they say it" (The Times).
Her recording was made for The Poetry Archive on 2 September 2003 at DB Studios, Stroud, Gloucestershire, UK and was produced by Richard Carrington.