The critic Stephen Romer has detected a fascinating "dividedness" in Hamburger's work, on the one hand steeped in European culture and engaged in the socio-political issues of the day, on the other a nature poet in the English tradition, absorbed in the atmosphere of his rural Suffolk home. The two impulses reflect Hamburger's mixed inheritance and the fruitful tension between them informs his long sequence 'From A Diary of Non-Events'. Meticulously observed descriptions of weather, flora and landscape (Hamburger was a keen and knowledgeable gardener) are juxtaposed with his outrage at the mono-culture of big-business capitalism. Like a modern-day Lear, Hamburger storms at this "junk age" and the damage it's inflicting on "the maimed globe", mourning England's vanished birds or the hedgerows "slashed" to allow trucks "grown cottage-sized" to pass unhindered. The energy of his anger is tempered by a strong sense of elegy in these late poems which frequently commemorate dead friends as well as his own past. His magisterial reading style is in tune with the rolling latinate syntax and finely-honed structures of the poems which form an eloquent argument against a literary culture that values hype over history.
His recording was made for The Poetry Archive on 17 April 2003 at the poet's home in Suffolk, UK and was produced by Richard Carrington.