This history of travel makes itself known in the poems; the impromptu test of his Japanese and great evocation of jet-lag in 'Cockroach Story' is an example of this, as is the fascination in the graffitied Libyan potsherd in 'Sigma'. As would be expected from someone who describes himself as an "archaeologist manqué", Thwaite is often drawn to a striking object or fragment - the terracotta head in 'The Return', for example - from which an epiphany seems to spill out naturally. His archaeological exhibition, 'A Poet's Pots', was shown in Norwich in 1998.
The attention to objects does not mean there is any lack of people in his poetry - Louis MacNeice and Philip Larkin have cameo parts, and various family members appear, such as the memory of his father (in 'My Father's Poems'), or his daughter drifting out of the rock concert in 'Called For'. Poetry itself is another theme, as some of the poems on this recording worry away at the idea of themselves, such as 'Simple Poem', or 'Tune'.
Thwaite reads in a voice that is clear, poised and firm, with poetic effects audible but not exaggerated (although he is perfectly happy to do the accents when the poems demand) and introduces many of the poems to explain inspirations and contexts. He even admits which is his favourite poem from his own body of work, a sign of the welcoming nature of this showcase of poems that the poet Vernon Scannell has described as "unflashy, honest, scrupulously chiselled work".
His recording was made on 12 March 2003 at The Audio Workshop, London and was produced by Richard Carrington.