C K Stead has written, "It was as if no one had quite seen New Zealand in the English language until Curnow saw it." This sense of discovery is re-enacted in a late poem about childhood memory, 'A Sight for Sore Eyes'. Here the freshness of the boy's response to the landscape is contrasted with his mother's insistence on trying to grow English flowers in unsuitable soil. Throughout his career, Curnow maintained this independent vision, an irreverence for "old-masterly/murk" ('Blind Man's Holiday'). His scepticism may have led him to reject religious doctrine, but he continued his philosophical investigations, in particular into the way the human mind creates its own reality. This concern and his characteristic tone, at once both "skittish and profound" (Peter Porter) is present in 'Continuum' which combines abstract musings on the nature of thought with a wry, colloquial language.
Curnow's reading belies his ninety years, sounding positively youthful in his enjoyment of language and the intellectual paradoxes of his poems. The title of one of his collections seems particularly apt when listening to the accented bite of his words: An Incorrigible Music.
His recording was made for The Poetry Archive on 21 August and 6 September 2001 at Auckland Audio, Auckland, New Zealand and was produced by Paul Stent.