John Burnside (b. 1955) is the author of eleven collections of poetry and five works of fiction. Burnside has achieved wide critical acclaim, winning the Whitbread Poetry Award in 2000 for The Asylum Dance which was also shortlisted for the Forward and T. S. Eliot prizes, and winning the 2011 T. S. Eliot Prize for Black Cat Bone. Born in Scotland, he moved away in 1965, returning to settle there in 1995. In the intervening period he worked as a factory hand, a labourer, a gardener and, for ten years, as a computer systems designer. He now lives in Fife with his wife and children and teaches Creative Writing, Literature and Ecology courses at the University of St Andrews.
Burnside's intensely lyric poems occupy a borderland between two worlds. On the one hand the earthly experience of our bodies is rendered in richly sensuous language that can sometimes tip into the visceral: "stripped flesh/and the cords/of muscle/ribbed and charred/like something barbecued". ('De Humani Corporis Fabrica'). His detailed knowledge of ecology and love of the natural world stitches his poems into the fabric of specific landscapes and locales. On the other hand his poems continually break free of the bodily and the merely personal: as he himself puts it "the lyrical impulse begins at the point of self-forgetting." (Strong Words
, Bloodaxe, 2000). It is this blurred territory between the self and the other that Burnside has made particularly his own. His poems are fraught with glimpsed presences; ghosts, angels, ancestors, our own unlived lives.
This recording amply demonstrates Burnside's distinctive music. The poems are remarkable for the consistency and integrity of his vision. Motifs thread through his work - wings, stars, dust, flesh, snow, dark, light, blood, rain -establishing his own private language which nevertheless has the power to draw the listener in. His modest delivery allows us to concentrate all the more clearly on the beauty of the language through which, in the words of the philosopher, Heidegger, one of Burnside's influences, he "brings the unsayable . . . into the world." (The Origins of the Work of Art
His recording for the Archive was made on 21 January 2003 at The Audio Workshop, London, and was produced by John Green.