Pronunciation: listen


Enjambment is the continuation of a sentence or clause over a line-break. If a poet allows all the sentences of a poem to end in the same place as regular line-breaks, a kind of deadening can happen in the ear, and in the brain too, as all the thoughts can end up being the same length. Enjambment is one way of creating audible interest; others include caesurae, or having variable line-lengths.

Mimi Khalvati's 'Don't Ask Me, Love, For That First Love' shows enjambment in its various strengths; the second line, ending at the same time as the sentence, is completely end-stopped, but "What had summer / to do with sorrow in full spate?" is fluidly enjambed. However, the pause for the comma at the end of the fifth line means that the enjambment is less pronounced here. The poet's skill with enjambment is one of the ways in which she keeps her short-lined stanzas, rhymed abab, from jangling unsophisticatedly.

How to use this term

In Vicki Feaver's 'Marigolds', the lines about "the flowers men give women" are primarily end-stopped, whereas the more exciting flowers appear in lines that use enjambment strongly.

Related Terms


Related Poems

The Children's Archive

This part of the Archive is full of poems chosen specially for children. Meet old favourites and make new discoveries.

Support The Poetry Archive
The Poetry Archive depends on donations from public bodies and private individuals. Find out how you can contribute to the work of the Archive.
Search for a poem or a poet:

My Archive

Create lists of your favourite poems and poets and share them with friends.

Browse all poets by name

View all poets

Browse all poems by title

View all poems

Glossary of poetic terms

View full glossary