About Roy Fisher
Roy Fisher (b. 1930) grew up in Birmingham and was educated at the local grammar school and Birmingham University. He worked as a teacher of English in schools and colleges, including latterly the University of Keele, Staffordshire. Since 1982 he has been a freelance writer and jazz musician. First published in the 1950s, Fisher's work from the beginning was outside the English poetry mainstream, looking instead towards Europe and America, and the Black Mountain poets in particular, for inspiration. Over the course of half a century, however, Fisher's elusive, skilful poems have become increasingly recognised, so much so that his 1986 book, A Furnace, was a Poetry Book Society Recommendation, The Thing About Joe Sullivan a PBS Choice and the most recent editions of his collected poems have appeared from Oxford University Press and Bloodaxe.
Fisher has described himself as "a Midlander, which is a very particular sort of race. It's supposed to be nowhere at all," and in these remarks can be detected a tension that runs through his poetry. On the one hand his writing is deeply rooted - Fisher acknowledges his almost Wordsworthian attachment to the city of his birth - on the other it refuses certainty and belonging. An essential quality in Fisher's aesthetic is openness - of form, subject and meaning - an attitude celebrated in his elegy for the poet, Asa Benveniste, "your eyebrows arched/so high as to hold/nothing excluded that might want in". This dynamic is seen most clearly in the West Midlands poems, and the attention Fisher pays to the in-between places, those disregarded industrial sites he knows so well: in 'Birmingham River' the waterway turns out to be not one, but two rivers, both of which, significantly, flow underground. The world is always various in Fisher, to be looked at from more than one angle. Elsewhere, his subject is perception itself as in his oblique sequence, 'Matrix', which he describes as an ink blot, open to interpretation.
Fisher's own softly-spoken, ruminative tones suggest a mind speaking to itself, exploring an internal geography with tenacity and precision. The abiding impression is of a poet faithful to his own vision, determined to come at the world "edge on" ('Noted').
His recording was made for The Poetry Archive on 13 June 2001 at The Audio Workshop, London and was produced by Richard Carrington.
The Thing about Roy Fisher (John Kerrigan), Liverpool...Buy
The Long and the Short of It: Poems 1955-2005, Bloodaxe...Buy
Interviews Through Time and Selected Prose (contributor...
Anthology of Twentieth-Century British and Irish Poetry...Buy
News for the Ear: A Homage to Roy Fisher, ed. Peter...
New Penguin Book of English Verse (contributor), ed....
Other: British and Irish Poets since 1970 (contributor...
The Harvill Book of Twentieth Century Poetry in English...
A State of Independence (contributor), ed. Tony Frazer,...
Roy Fisher Reading from his poems
1At the Grave of Asa Benveniste
2The House on the Border
3Near Garmsley Camp
43rd November 1976
5They Come Home
7Top Down, Bottom Up
11Promenade On Down
12The Collection of Things
13The Lesson in Composition
15The Burning Graves at Netherton
17The Six Deliberate Acts
18Three Ceremonial Poems
22The Sidings at Drebkau
23Discovering the Form
24You Should Have Been There
I think it's defensible to say that there's something about any poem worth the title that asks to be read aloud....