Christopher Middleton

Image by Caroline Forbes

Christopher Middleton

b. 1926

He is an incomparable stylist, a wry ironist, a philosopher of words. The only category in which he fits justly is that of poet. (Guy Davenport)

Elegy of the Flowing Touch

Christopher Middleton


The Digging

Christopher Middleton


Something Vesperal

Christopher Middleton

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About Christopher Middleton

Christopher Middleton (b. 1926) is best known for his poems, short prose, essays, and translations. He served in the RAF from 1944 to 1948, then attended Merton College, Oxford. After a spell of teaching English at the University of Zürich (1952-55), he became Lecturer (eventually Senior Lecturer) in German at King's College London (1955-65). From 1966 till 1998 he was Professor of Germanic Languages and Literature at the University of Texas, Austin; a further title was added in 1986, David J Bruton Centennial Prefessor of Modern Languages (he was active in the Comparative Literature Program). For Torse 3 he shared the Geoffrey Faber award, and was awarded in 1987 the Schlegel-Tieck Translation Prize. In the USA he is a "resident alien".

This reading features poems from two sequences, Twenty Tropes for Doctor Dark (1999) and The Fossil Fish (1969), plus 'Little William', an exploration of the child Shakespeare’s responses to music and words. Middleton describes the first sequence as "A series written at the close of the century and during the East Timor massacres [that] finds no end to the purgatory ablaze under the vestiges of an Epicurean paradox", and embraces a range of experience from the Kalashnikovs and the machete in 'A Far Cry from Fear Island' to the irresistible treats - 'jellies, twists / / of sugar firming cream into a script' - that are matched by the verbal exuberance portraying these details in 'A Sybaritic Elegy'. 'The Digging' presents a speaker who looks with nostalgia at 'A sunlit vault where the dead lay, smiling' as a horrific mass grave is revealed; a quest for refined pleasures can offer no response but to "return ... to simple tombs." 'Something Vesperal' turns his acute attention to these details on itself, recording how the initial, spectral apprehension is later refined.

This recording is as happy with the quick delivery demanded by the earlier sequence, The Fossil Fish, consisting of brief imagistic texts, as it is with the longer cadences of Twenty Tropes. Middleton is a fine reader, and he is confident in performing the voices of different speakers (e.g., with a French accent for Charles Meryon in Twenty Tropes). His introductions contextualise the poems without restricting them. This reading presents clear proof that Middleton is, in Guy Davenport’s description, "an incomparable stylist, a wry ironist, a philosopher of words."

His recording was made on 2 June 2003 at The Audio Workshop, London and was produced by Richard Carrington.

Christopher Middleton's Favourite Poetry Saying:

"Poetry shakes the laughter out of the apple tree" - Tristan Tzara

Selected bibliography

Tenor on Horseback Sheep Meadow Press,U.S., 2007

Tankard Cat Sheep Meadow Press,U.S., 2005

Some Dogs Enitharmon Press, 1997

Collected Poems, Carcanet 2008


The Anti-Basilisk, Carcanet 2005


Of the Mortal Fire, Sheep Meadow Press 2003


Andalusian Poems (editor, with Leticia Garza-Falcón),...

Goethe, Selected Poems (editor / translator), Suhrkamp...


Robert Walser, Selected Stories (editor / translator),...


Christopher Middleton

Christopher Middleton Reading from his Poems

1Heavy Dog Sees Fish

2The Diving Apprentices

3Something Vesperal

4Lucile/MA 632883


6Buffoon Voice in a Small Port

7A Bat, Less Familiar

8Charles Meryon

9The Moon from a Box of Lokum

10A Far Cry from Fear Island

11The Digging


13Cassis, October 23, 1999

14Of Paradise

15Sybaritic Elegy

16Elegy of the Flowing Touch

17A Ballad of Arthur Rimbaud


19The Fossil Fish

20Little William

Books by Christopher Middleton