About Charles Tomlinson
Charles Tomlinson (b. 1927), since his first publication in 1951, has built a career that has seen more notice in the international scene than in his native England; this may explain, and be explained by, his international vision of poetry. The influence of American poetry, which is acknowledged in his introduction to the first poem on this CD, 'Above Manhattan', and his work as a translator from languages including Italian, Spanish and Russian, testify to that vision, as do his friends, who have included William Carlos Williams, Octavio Paz, Vasko Popa and Philippe Jaccottet. He also works as a critic, a university professor and an artist, and has been rewarded with the Bennett Award, the International Ennio Flaiano Prize and the International Attilio Bertolucci Poetry Award, plus membership of the American Academy of Arts & Sciences, and the British CBE.
The subjects of Tomlinson's work, however, range from the international to the most domestic of subjects. While 'Assassin' takes on the mind of the man who killed Trotsky, 'Jessica Learned to Kiss' is focused tightly on one deferred moment in his then-tiny granddaughter's life. There are signs of his sense of humour in 'After the Poetry Reading', a poem in which Tomlinson records that granddaughter disapproving of him putting her into his poem, but his tone is more usually that of a fascinated observer, and one who expects a similar delighted interest from his listener. This is perhaps shown best by the dual meaning of "reflections" in 'A Given Grace' - we are invited to look at two cups, which, although "common ware", either have or inspire "these rare reflections" on them. Even the speaker of 'Assassin', in the middle of his grisly task, finds himself ecstatically aware of surrounding details.
Tomlinson begins his reading with the words "In reading to you..." - of all the Poetry Archive recordings, this is one of the most intimate, and one of the most welcoming voices. His reading style is pitched beautifully to make it seem that he is animating the poems for us with the same concern for his audience as he shows in his introductions. What the Times Literary Supplement has called his "perfected style" proves here to be as much a part of his reading as of his writing.
His recording was made for The Poetry Archive on 9 March 2001 at his home in Gloucestershire and was produced by Richard Carrington.
Poetry Archive visitors might also like to know that sixty CDs featuring Charles Tomlinson reading his own poetry and translations, plus his dialogues and talks, are available for purchase. The recordings were made at Keele University. If you are interested, please contact Professor Richard Swigg: email@example.com, 21 Keele Road, Newcastle-under-Lyme, Staffordshire, ST5 2JT. All proceeds from sales of the CDs go to Keele University.
New Collected Poems, Carcanet 2009Buy
Cracks in the Universe, Carcanet 2006Buy
Skywriting, Carcanet 2003Buy
Luoghi Italiani, Bradipo Editions, Vicenza 2000
Vineyard Above the Sea, Oxford Poets / Carcanet Press...Buy
Parole e acqua, Bradipo Editions, Vicenza 1997
Selected Poems 1955-97, Oxford University Press 1997Buy
In Italia (bilingual), El tucan de Virgina / Editorial...
Poemas Portugueses (bilingual), Relogio D'Agua 1996
Charles Tomlinson Reading from his Poems
3Revolution, Piazza di Spagna
4To Vasko Popa in Rome
5Winter Journey I
6Winter Journey IV
7To My Daughter
8Jessica Learned to Kiss
9After the Poetry Reading
10Colloquy with a Grandchild
11A Given Grace
12A Rose for Janet
14Paring the Apple
15The Picture of J.T. in a Prospect of Stone
16John Mayhew, or The Allotment
19The Marl Pits
23Las Trampas, U.S.A.
25A Death in the Desert
29On the Late Plane
30A Sense of Distance
32Drawing down the Moon
Since I spend much of my time rooting around in the eighteenth century, this is where I headed first. Hearing poems...