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Anne Stevenson

b. 1933


She is wise without portentousness, her technique faultless and her imagination fiery, political and fresh - Carol Rumens, The Independent.

Making Poetry

Anne Stevenson

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Who's Joking with the Photographer?

Anne Stevenson

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On Going Deaf

Anne Stevenson

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Poem for a Daughter

Anne Stevenson

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About Anne Stevenson

Anne Stevenson, inaugural winner of the Northern Rock Writers Award in 2002, was born in England of American parents in 1933 and educated in Ann Arbor, Michigan, where her father was professor of philosophy at the University of Michigan. After graduating with honours from Michigan, she moved to Great Britain where, claiming citizenship, she has lived for most of her life. From 1974 through 1996 OUP published eight collections of her poems. Since 2000, Bloodaxe Books has published three more, including a new and substantial Poems 1955-2005. Anne Stevenson is also the author of Bitter Fame, A Life of Sylvia Plath, and of two critical studies of Elizabeth Bishop.

If Stevenson's early poetry sometimes shares a technique with Plath, addressing subjects both personally and ambivalently, in recent years she has developed an ear for lyrical expression while turning her attention to the paradoxical nature of experience and to a delight in the music of language. The distinct musicality of ballads such as 'Willow Song' and 'Innocence and Experience' may be the result of a debilitating deafness which has driven her, she says, to 'play' in verse the music she can no longer hear in reality. She is also capable of writing dramatically, in free-verse forms, though here, too, she is always conscious of the rise and fall of her cadences and of what she calls 'the tune' of every poem.

She splits her reading for the Poetry Archive into three parts, basing these divisions on a line from 'Poem for a Daughter': "a time, a tribe, a war." Beginning with family poems (a tribe), she moves into a second section in which a mental struggle for existence is in evidence (a war), ending with a section on time and loss - always a preoccupation of this poet, as in 'Arioso Dolente' and 'The Fiction-Makers'.

As she reads and introduces her work, Stevenson gives the impression of shining a bright and precise light on each idea in turn, speaking so as to reflect elements of Ann Arbor, Durham and North Wales, all places that come to life in her poems. She can shade the tone of her voice with mischief, as in 'Going Deaf', or with sorrow, as in 'A Marriage', but the performance always serves the poem, always works toward creating what she describes in 'Making Poetry' as "a wordlife running from mind to mind / through the washed rooms of the simple senses."

Her recording was made on 16 August 2002 at The Audio Workshop, London and was produced by Richard Carrington.

Anne Stevenson's Favourite Poetry Sayings:

"All art aspires to the condition of music" - Walter Pater

"True poetry should be [in some degree] abstract" - Wallace Stevens

"End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)" - Anne Stevenson

"A poem is never finished, only abandoned." - W. H. Auden

Additional material and useful links

"To Wear Words in the Plainest Light"

Anne Stevenson on Welsh prosody, Elizabeth Bishop, and winning the Neglected Masters Award.

http://www.poetryfoundation.org/journal/audioitem.html?id=165

Selected bibliography

Selected Poems, Library of America 2008

Stone Milk, Bloodaxe Books 2007

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Five Looks at Elizabeth Bishop, Bellew/Agenda Editions...

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Anne Stevenson Reading from her Poems, The Poetry...

Poetry Quartets 6 (Anne Stevenson, Michael Donaghy,...

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Hearing with my Fingers, Thumbscrew Press 2002

The Fiction Makers, Oxford University Press 1985 - out...

Travelling Behind Glass: Selected Poems, 1963-73, Oxford...

Correspondences: A Family History in Letters, Oxford...

Prizes

2002 Northern Rock Foundation Writer Award

Prize website

Links

Recordings

Anne Stevenson Reading from her Poems

1Poem for a Daughter

2The Spirit is too Blunt an Instrument

3The Suburb

4The Mother

5The Victory

6By the Boathouse, Oxford

7Path

8Transparencies

9A Surprise on the First Day of School

10Innocence and Experience

11A Marriage

12Arioso Dolente

13Sous-entendu

14Swifts

15Enough of Green

16In the Tunnel of Summers

17North Sea off Carnoustie

18Still Life in Utah

19If I Could Paint Essences

20The Wind, the Sun and the Moon

21Leaving

22Why Take Against Mythology (1)

23Why Take Against Mythology (2)

24The Writer in the Corner

25The Fiction-Makers

26Small Philosophical Poem

27Willow Song

28Granny Scarecrow

29When the camel is dust it goes through the needle's eye

30Impromptu in C Minor

31On Going Deaf

32Talking Sense to my Senses

33Who's Joking with the Photographer?

34Terrorist

35Making Poetry

A tour of the Archive with Julia Copus

I've avoided poems that other writers here have recommended, but which otherwise would certainly have been on my...

Featured Guided Tours


Books & cds by Anne Stevenson