Look, Stranger!

Owen Sheers - 11 May 2009

In this week's film we're taken to the North Yorkshire Moors with a poem by a poet who knew this landscape in literature and through the memories, character and stories of her new husband, but who had never actually been there herself before she wrote these poems. Sylvia Plath's 'Wuthering heights' was a fascinating subject for this series for many reasons, but I became increasingly interested in it as a great example of a poet writing powerfully about a place not from a position of familiarity, but with the invigorated vision of a stranger.

It isn't surprising that some of our best poets of place are poets who know their particular landscape intimately, deep in the bone. Frost in Vermont, Edward Thomas in the English and Welsh countryside, Heaney in rural Ireland. It's through such intimate knowledge that a unique vision and access into what Hopkins might call the 'inscape' of a place is often achieved. Through long familiarity with a landscape, a poet's vision is given depth born of detailed observation, and breadth from an increasing store of knowledge about the weather, history, flora and fauna, all of which can emerge in the perfectly precise word, phrase or image. There are times when a line by Heaney describing the irish bogland, or RS Thomas evoking a bird on a cliff in Wales feels as if it is backed up by centuries of accumulated experience, linguistic shifts and historical events. Which of course, they are, poetry providing the sharpest leading edge of all those elements of place.
But then there are times when the opposite can also be true, when the sense of wonder inherent in the vision of a newcomer provides a different, but equally energised vision. I know I experience this to a certain degree when I travel. I moved to New York 18 months ago. In those first few months my notebooks were full of observations of the ordinary life of the city. Over the months, however, what had once seemed strange lost its sheen of otherness, of newness and I found myself having to look harder to see beyond the dulling of familiarity.
The best poems and poets do just this - look through and beyond what we know well to describe it in such a way as to make us see it afresh again. Plath's poem about the Yorkshire Moors is a wonderful example of this, charged as it is in every line and image with this voltage of seeing things clearly, right to their heart with new eyes. I wonder if any of you have had this experience - had a place you thought you knew well suddenly revealed to you anew by a poem or song? I'd be interested to know...hope you enjoy the film.

Comments:

sorry, that should have read West Yorkshire Moors...

can you contact me please? i have a report that i have to interview a poet for school.

Feel free to ask me a question on here Rebecca, if that helps. Owen.

I'm really enjoying the programmes. Particularly enjoyed last night's on Plath.

I have enjoyed both programmes but particulalry the one on Plath. When I started secondary school we had to learn a poem by heart from an anthology we were given. I chose 'Wuthering Heights' and can still remember it now some years later! I lived near the W. Yorks mooors at the time and it was a poem that completely changed my relationship with the landscape. The images really enable me to articulate all that I felt and to look at landscape in a new way. I think it began to move me as an adolescent from being someone who only read stories to a reader of poetry. So thanks very much! I am really enjoying the series and only wish there were more programmes like it available.

I've watched this programme twice now. I like the way you confound the expectation that we will meet the Plath we think we know (if only by reputation). I wish your programmes could be twice as long - and the series even longer.

Thank you. Your film inspired a poem:

http://www.bayyinat.org.uk/waliyy.htm

or here's me reading it:

http://www.youtube.com/watch?v=ptGiJS2RXWA

Hi Owen!
Really enjoying the series! We've been studying your poems at school especially Amazon. I was wondering if you could tell me who it was written about.
Thanks! x

Hi Owen, really looking forward to tonight's programme. I'm doing an English Degree, first year, and your programmes have really given me confidence in finding my own voice when giving readings. Thank you.

http://carolineatcoastcardlandlit.blogspot.com/2009/05/postcard-31-bront...

My blog post inspired from your programme. Greetings from Swansea.

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Glossary term

Villanelle

A poem written in five tercets, in which the first and last lines of the first stanza alternately appear as the last lines of the subsequent stanzas, with a final quatrain repeating both lines together as the last two lines. There are only two rhymes through the whole poem, the tercets rhymed aba and the quatrain abaa, and the lines usually in iambic pentameter.

A tour of the Archive with Catherine Olver

I think it's defensible to say that there's something about any poem worth the title that asks to be read aloud....

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