About the poet
James Lasdun is a rare example of a writer whose success has manifested itself across genres....
They people landscapes casually like trees,
being there richly, never having gone there,
and whether clanning in cities or village-thin stands
were reticent as trees with those not born there,
and their fate, like trees, was seldom in their hands.
Others to them were always one of two
evils: the colonist or refugee.
They stared back, half-disdaining us, half-fearing;
inferring from our looks their destiny
as preservation or as clearing.
I envied them. To be local was to know
which team to support: the local team;
where to drop in for a pint with mates: the local;
best of all to feel by birthright welcome
anywhere; be everywhere a local . . .
Bedouin-Brython-Algonquins; always there
before you; the original prior claim
that made your being anywhere intrusive.
There, doubtless, in Eden before Adam
wiped them out and settled in with Eve.
Whether at home or away, whether kids
playing or saying what they wanted,
or adults chatting, waiting for a bus,
or, in their well-tended graves, the contented dead,
there were always locals, and they were never us.
from Landscape with Chainsaw (Cape, 2001), © James Lasdun 2001, used by permission of the author and the publisher
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